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Feature Articles, including Opinion and Commentary Columns by our Editorial Staff
Music Critics Must Die: Art of the Recording Engineer – Matt Forger
INTERVIEW: Matt Forger speaks out to Scott G about everything from working with Michael Jackson to producing new artists like Mutant Radio. According to Matt, a pop song is a three minute fix of an emotional drug. We are connected through our humanity, and most successful songs speak to this.
Communication Nation: Digging the Idea of an iTomb
COLUMN: Following the announcement of a patent for the video enhanced gravemarker, Scott G ponders the next phase of cemetery chic. Might there be an iTomb in your future? Hats off and a twenty-one gun salute to television commercial producer Robert Barrows, recent recipient of U.S. Patent 7089495 for an invention called the Video Enhanced Gravemarker (VEG).
When Advertising Attacks: What Can Brown Do for Identity Theft?
COLUMN: Companies need to do a better job of policing themselves when signing up new customers on the Internet and through mail campaigns, otherwise...
Music Critics Must Die: Indie Artist Management – Economic Realities & Insightful Strategies
COLUMN: Three personal managers of independent artists outline pathways for success in an increasingly competitive marketplace. "An artist's music must be something I love," stated Jennifer Yeko of True Talent Management. "It has to be music I want to hear in my personal life as well as when I'm working."
Behind the Eye: New Phishing Scams Target Musicians Bidding on eBay for Used Gear
Just when you think it's safe to go shopping on eBay for used gear, like a vintage tube mic, or analog keyboard, the phishing artists have to ruin my day. Phishing, is the practice of trying to fool you into going to a website pretending to be a legitimate site, like a bank or eBay, or to contact somebody about a product or service through "real looking" email communications.
Music Critics Must Die: Online Music Marketing – Math or Myth?
The numbers are supposed to be big in online marketing, but are they significant in the online marketing of music? Clearly, we need someone with 'Net experience to set a few things straight. Scott Meldrum is a businessperson and musician with a dry wit and a background in bulk mail. Oops, excuse me, direct response advertising. He's also the man called on by major labels when they want to brand an artist and reach millions of fans via the Internet.
Music Critics Must Die: Digitizing The Record Industry – Retail Realities & the Road to Profits
If you're young enough, all you know is digital music. Forget about records. Or vinyl. Or eight-tracks. Or even cassettes. To these people, the brouhaha over digital rights management and pay-per-download models seems pretty silly. And the changeover from physical products to sound files isn't even an issue for them.
Interview: A Vision of Hope with Archbishop Desmond Tutu
An interview with Nobel Peace Prize winner, human rights activist and world renowned author and lecturer Archbishop Desmond Tutu, who shares a few thoughts on his book "God Has a Dream: A Vision of Hope for Our Time."
When Advertising Attacks: Man Fur Makes Me Thirsty – Alcohol and Shaving Don't Mix
COLUMN: Apparently shaving is no longer hip and cool. I'm watching TV, the commercials come on, and I am blinded by the stubble... oh the stubble ... Does Paris Hilton think "that's hot?" Ohmigod! I need to stop shaving or I'm not going to get past that velvet rope!
Music Critics Must Die: Money for Your Music – The Cold-Cash Facts About Music Licensing
Where music meets licensing, there's money to be made. How much money? "I have synched quite a few thousand songs into productions over the years," states Peter Jansson of CRC Jianian Co., "and have charged anywhere between US$1.00 and US$250,000 for each one."